I reviewed Keaton Henson’s latest album for Epigram.
Crippled by anxiety and loneliness, Keaton Henson’s debut album Dear… chronicled the break up of his first serious relationship. Although Henson’s debilitating stage fright meant that he avoided live shows, he built up a loyal, almost cultish following on the internet. Henson now seems to be emerging from this gloomy period, slowly putting on more gigs and featuring in more video and radio sessions. This new-found optimism is displayed on his new album too, from temporarily falling in love on the tube (‘The Best Today’) to the surprising raging guitar on ‘Kronos’. The intense darkness of Dear… hasn’t completely disappeared, however. ‘I’d kill just to watch as you’re sleeping’ (‘10am, Gare du Nord’) shows that Henson still teeters between endearingly romantic and creepily obsessive. Henson’s voice trembles through a range of emotions as the album progresses, at times imploring, ‘please do not hurt me love/I am a fragile one’ (‘10am, Gare du Nord’) to protesting ‘And God! You were the one who told me not to be so English!’ (‘Sweetheart, What Have You Done to Us?’). With the sensitive addition of more instruments, and backing vocals by Jesca Hoop, Henson stands out from other, more conventional, singer-songwriters.